The exhibiting students were set a project to make their own images for missing animals, real or imaginary, using a variety of print techniques, but with the stipulation that each work be comprised of two colours, and without using black.

In his work, Samuel Aiwerioghene explores portraiture and composition, and Aiwerioghene describes his work as an ongoing dialogue with people.

The five visual artists in the Danish artist group De Blide relate in different ways to the phenomenon of the blue hour, which is a term for the period around sunset and sunrise.

Arden Asbæk Gallery is pleased to present “Follow the Tails”, a duo exhibition featuring Danish photo-based artist Tine Bek and Swedish visual artist Vera Ljunggren.

The two artists do not only share an interest in the forces of nature, but also in the poetry of the physical world, and balance what can best be described as fleeting lightness and material substance in their respective media.

Vases, pitchers and reliefs are embedded with life and stories about humanity; stories that are not without complications, but which are emblematic of who we are.

Shattered plexiglass shards embedded in pigmented resin appear as if frozen in time, caught mid-act. The pieces raise questions about the relationship between destruction and creation—whether we can destroy or criticize something when the very act of destruction transforms into an act of beautification.

In the exhibition, visual artist Caroline H. Thon examines the influence of light and shadow on how we perceive the world. The exhibition consists of a series of paintings whose motifs center around the meeting between the shadows of a tree and a person.